Music
We had just gotten out of the subway at Luo Hu and had come into an area of "shadow" taxis, as Cody named them, to drive us far away to an investment house on the beach. It was Tom's new bosses place. We hustled the first cab, no luck. Second cab, no luck. They were wanting the equivalent of fifteen USD to drive four of us an hour. A taxi pimp arranged a third for us at a ten percent discount, but he kicked us after I showed him the exact location. He wanted even more than the others.
Standing on the curb, trying to hail a new cab The Revelation hit me. We were in front of a small clothing shop, the kind that always blares that 500 beat-per-minute Mickey Mouse techno. It was doing it's own blaring, drawing customers like bees powerless in front of flowers, and it hit me then, and right then, that Chinese people actually like this music.
That's a big thing to wrap your head around. I endlessly make fun of other people for their musical taste while clinging to my own taste as an example of the perfect example of thoughtful, unique, fun, diverse, quirky, and enjoyable library. Actually, all personality traits I'd like to assign myself. That means something.
I mean I knew they prefered it, but I always had it in the back of my head that as soon as someone drops in a better CD at a dance club they'd get a little red face and not want to mention putting Alvin, Simon, and Theodore behind the DJ booth.
Right now I'm listing to the new Mofro album, a song called "Circles" about fighting in a relationship with some shadowy and ancient emotional baggage as the culprit. The band is from the backswamps of Jacksonville and the theme and language used to describe it is something I can deeply identify with. The sound of the music itself, the drawly vocals and that Hammond organ, remind me of marshes of my childhood and blistering midnights of my college days. It's something that hits the essence of my being without even trying. Music just kinda does that. That's why we make mix tapes as young lovers, trying to have Alanis Morissette or Jim Morrison say what you really mean. Some how John Lennon or Maynard Keenan says it better than we can.
For some strange reason, my boss loves mixing up Mary J Blige and Mofro to impress foreign passengers in his VW wagon. It's strange to me that he likes it. I expect him not to. I think, perhaps, it's easier to understand "tastes are different" and perhaps people don't all like what you like. The hard part, and The Revelation to boot, is that other people like different things. Not just prefer them, no just are used to them, but truly, genuinely like and enjoy and thrive off them.
This chipmunk techno that surrounds my daily existence and feels like a long-running inside joke really is the product of artists making things that The People enjoy. The sappy MandoPop and CantoPop is the soundtrack to millions of rising and falling lovers. And you know what? Those ridiculous poofy dresses the girls wear with the pseudo-punk hair or tapered pants... that's really hot to some Chinemen dudes. I mean really hot.
It's a hard thing to wrap your really wrap your head around and realize all your tastes, something you could never do without, are inversely ridiculous to someone else. And that, in a word, is culture. Oh, and your favorite band sucks (to someone out there).